The juxtaposition of science and indigenous knowledge has long been a subject of great interest to me, particularly as it concerns our relationship with nature in its many and varied guises. Not least among these is the supreme importance of plants throughout The Americas and their connection to the spiritual lives of aboriginal people, whether influenced by a shaman or as an act of personal reverence. And this does not even touch on the intimate knowledge of the therapeutic and pharmacological qualities of sacred plants.
Much of this knowledge, passed down from generation to generation, has been under threat since the very first encounters between white explorers, conquistadors, capitalists and mercenaries; some indeed has been lost along with native land, languages and cultural identities. The authors are correct when they state, "Christianity and extraactivist economies have been operating together with devastating consequences for Indigenous peoples in the Americas for centuries."
Fortunately, these attitudes are undergoing change, albeit slowly and piecemeal, but change nonetheless, with a recognition that Indigenous wisdom has much to offer, reviving and rehabilitating knowledge dismissed out-of-hand by colonial arrogance. My bookshelves contain works by Wade Davis (and through him a connection to perhaps the greatest ethnobotanist of all time, Richard Evans Schultes), Monica Gagliano, Stefano Mancuso, and the most eloquent of all, Robin Wall Kimmerer, whose Braiding Sweetgrass should be required reading for everyone who cares about the planet.
This book is an incredibly valuable addition to the literature, with its dazzling images that leave me breathless. In addition to "simple" photographs of the plants, seemingly innocent of the powerhouse of stimulatory and medicinal compounds they contain, confocal microscopy is used to deliver images as psychedelic as the plants themselves!
Briefly, confocal microscopy is an optical technique for increasing optical resolution and contrast of a micrograph by means of using a spatial pinhole to block out-of-focus light in image formation. Capturing multiple two-dimensional images at different depths in a sample enables the reconstruction of three-dimensional structures within an object. (Wikipedia).
Surely the brightest stars in the galaxy could barely compete with the brilliant beauty of these images.
I have turned the pages of this book many, many times, and still I am left in awe of this hitherto hidden beauty.
This book would make a fine coffee table book, and should be displayed for all to see. But it is more than that. It contains a wealth of information on each of the more than fifty plants featured, in addition to cultural references, historical facts, the present state of the plant and its uses, and speculation as to what the future holds from ethnographic and curative perspectives.
I am indebted to Jill Pflugheber and Steven F. White for sharing their work with us, enabling us to benefit from their concern and compassion.
You will not be displeased, I am sure, if I end this review on a personal note. My wife, Miriam, is an accomplished quilter with a great eye for symmetry, colour matching, design, creativity and all that goes into the completion of a work of art. Even though I am exposed to her formidable skills daily, I never cease to wonder how she does it.
When I showed her the confocal pictures in the book she immediately exclaimed, "Wouldn't that make wonderful fabric!" Indeed it would, and I can only imagine what she could do with it. But I can assure that it would be great, inspired in no small part by a deep respect for Indigenous people everywhere; a heartfelt tribute to maligned humans for whom justice has been delayed far too long.
Jill Pflugheber and Steven F. White
Hardcover - US$45.00 - ISBN: 9780691296074
264 pages - 10 x 11 inches (25 x 27.5 cm)
200+ colour illustrations - 48 maps
Publishing date: 11 August, 2026
